*1965, Wilmington, Ohio, lives and works in Los Angeles

EDUCATION
1992 MFA, California Institute of the Arts, Valencia
1987 BFA, Bowling Green State University, Ohio

SOLO EXHIBITIONS
2017
Andrea Bowers. Womxn Workers of the World Unite!, curated by Steven Matijcio, Contemporary Arts Center, Cincinnati, OH, USA
Hammer Projects: Andrea Bowers, Bureau of Feminism, Hammer Museum, Los Angeles, CA, USA
2016
Elizabeth Leach Gallery, Portland Oregon, USA
Whose Feminism is it Anyway?, Andrew Kreps Gallery, New York, USA
2015
Self-Determination, Kaufmann Repetto, Milan, IT
2014
Andrea Bowers: #sweetjane," Pomona College Museum of Art, Claremont, CA
In Situ-1: Andrea Bowers, Espace culturel Louis Vuitton, Paris, FR
Andrea Bowers and Susanne Lacy, The Drawing Center, New York, USA
2013
Cultivating the Courage to Sin, Capitain Petzel Gallery, Berlin, DE
Transformer Display for Community Fundraising: Phase 4, Tang Museum, Skidmore College, Saratoga Springs, NY (two-person show with Olga Koumoundouros)
2012
Help the Work Along, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
2011
The New Women's Survival Guide, Andrew Kreps Gallery, New York, NY Ni
Una Muerte Mas, Project Room, National Museum of Contemporary Art,  Athens, Greece
2010
The Political Landscape, Susanne Vielmetter, Los Angeles, CA
2009
Mercy Mercy Me Andrew Kreps Gallery, New York, US
An Eloquent Woman, Praz-Delavallade, Paris, FR
Your Donations Do Our Work: Andrea Bowers and Suzanne Lacy, UCR Sweeney Art Gallery, Riverside, Los Angeles, CA, US (two-person)
2008
The Weight of Relevance, ZKM/Zentrum für Kunst und Medientechnologie, Karlsruhe
Sanctuary, Van Horn, Düsseldorf, DE
2007    
The Weight of Relevance, Power Plant, Toronto, CAN
The Weight of Relevance, Susanne Vielmetter Los Angeles Projects, Los Angeles, US
The Weight of Relevance, Secession, Vienna, A (Cat.)
2006    
Vows, Halle für Kunst e. V., Luneburg, Germany, curated by Bettina Steinbrügge
Nothing Is Neutral, Artpace, San Antonio
Nothing Is Neutral,  REDCAT, Los Angeles, CA, Curated by Eungie Joo; traveled to Artpace, San Antonio
Eulogies to One and Another, Galerie Praz-Delavallade, Paris
Your Whole Fucking Culture Alienates Me, Mehdi Chouakri, Berlin
Letters to an Army of Three, Core Program, Glassell School of Art, Museum of Fine Arts, Houston
2005        
Galerie Mehdi Chouakri, Riverside Wall, Berlin
Culture of Choice, Van Horn, Dusseldorf
2004    
Soft Blockades Part 2, Magazin 4, Vorarlberger Kunstverein, Bregenz
Soft Blockades, Mary Goldman Gallery, Los Angeles
Nonviolent Civil Disobedience Training, Sara Meltzer Gallery, New York
2003    
Magical Politics, Chouakri Brahms, Berlin
2002    
Virtual Arena, Sara Meltzer Gallery, New York
From Mouth to Ear, Goldman Tevis, Los Angeles
Box with Dance of Its Own Making, Chouakri Brahms, Berlin
2001
Democracy’s Body—Dance Dance Revolution, Art Statements, Art 32 Basel, Switzerland
2000
Intimate Strangers, Sara Meltzer Gallery, New York
I Need a Hero, Institute of Visual Arts, University of Wisconsin, Milwaukee
One and the Same Body, ARCO Project Room, Madrid
1301 PE, Los Angeles
1999
Moving Equilibrium, Sara Meltzer’s on view, New York
1998
Spectacular Appearances, Santa Monica Museum of Art, Santa Monica
1997
Spectacular Appearances in the Food Court, a project with the Santa Monica Museum of Art and the Santa Monica Place Mall
1996
Spanish Box, Santa Monica, Santa Monica
1994
Damaged Goods, Bliss, Pasadena
1993
FOOD HOUSE, Santa Monica

SELECTED GROUP EXHIBITIONS
2017
Andrea Bowers and Marcos Erre, duo-show at Westmont Ridley Tree Museum, Santa Barbara, CA, USA
2016
The Revolution Will Not Be Gray, Aspen Art Museum, Aspen, CO, USA
Displacement: Symbols and Journeys, Cornell Fine Arts Museum, Winter Park, FL, USA
House of Cardboards, VAN HORN, Düsseldorf, DE
2015
A Voice Remains, Pippy Houldsworth Gallery, London, UK
Drawing Now, Albertina, Vienna, AU
Unpacking Our Library, Capitain Petzel, Berlin, DE
When Artists Speak Truth, The 8th Floor, New York, USA
The Bottom Line, S.M.A.K., Gent, BL
Words, Words, Words, Elizabeth Leach Gallery, Portland, Oregon, USA
2014
Grip friheten! Take Liberty! Museum of Contemporary Art, Nationalmuseum, Oslo, NO
Pace Gems, Linda Pace Foundation, San Antonio, USA
Lavenir (looking forward), La Biennale de Montral, Montral, Quebec, Canada
Burning down the house, 10th Gwangju Biennale, South Korea
2014 SITE Lines: SITE Santa Fe Biennial, Santa Fe, NM
Post-Picasso: Contemporary Artists Responses to his Life and Art, Museu Picasso, Barcelona, SP
The Sunken Living Room, Franklin Street Works, Stamford, CT
If I can't dance to it, it's not my revolution, Cantor Fitzgerald Gallery, Haverford College, PA
The Other Side: Chinese and Mexican Immigration to America," USC Pacific Asia Museum, Pasadena, CA
2013
Cabinet Of Threads, VAN HORN, Düsseldorf, DE
So Much I Want To Say: Von Annemiek Bis Mutter Courage, Die Sammlung Goetz im Haus der Kunst München/Munich, DE
Labour and Wait, Santa Barbara Museum of Art, Santa Barbara, CA
The Past is Present, Museum of Contemporary Art Detroit, Detroit, MI
Utah Biennial of Contemporary Art, in collaboration with Cori Redstone, Utah Museum of Contemporary Art, Mondo
Selections from the Grunwald Center and the Hammer Contemporary Collection, UCLA Hammer Museum, Los Angeles, CA
Approximately Infinite Universe, Museum of Contemporary Art, San Diego, CA
Labor and Wait, Sant Barbara Museum of Art, Santa Barbara, CA
2012
A Balea Negra. X Aniversario Do Marco - Marco Museo de Arte Contemporána de Vigo, Vigo, ESP
Make Liverpool a City of Sanctuary, 7th Liverpool Biennial - Liverpool Biennal of Contemporary Art, Liverpool, GB
The Living Years: Art after 1989, Walker Art Center, Minneapolis, MN
The Residue of Memory, Aspen Art Museum, Aspen, CO
Audience as Subject Part 2: Extra Large, Yerba Buena Center for the Arts, San Francisco, CA
No Person May Carry a Fish into a Bar,Blum & Poe, Los Angeles, CA
Drawn from Photography, curated by Claire Gilman, DePaul Art Museum, Chicago, IL
Malas Artes, Galeria Nieves Fernández, Madrid, Spain
Go Tell It On The Mountain, Charlie James Galelry, Loas Angeles, CA
Five Acts: Chronicles of Dissent, Marginal Utility, Philadelphia, PA
Femmescapes, Lenore Pereira & Rich Niles private gallery, San Francisco, CA
Nothing Beside Remains, collaboration with Shizu Sadamando, L.A.N.D., Marfa, Texas
2011
Art Public, curated by Christine KIm, Miami, FL, (with Olga Koumoundourous)
Why I Never Became A Dancer, Sammlung Goetz at Haus der Kunst, Munich
I Am Still Alive: Politics and Everyday Life in Contemporary Drawing, The Museum of Modern Art, New York
In Process, ANN 330 Gallery, Los Angeles
Greater L.A., curated by Benjamin Godsill, Eleanor Cayre and Joel Mesler, PS1, Brooklyn, NY
Drawn from Photography, The Drawing Center, New York, NY
Body Gestures, Elizabeth Leach Gallery, Portland, OR
Word Is..., Luckman Art Gallery, California State University, Los Angeles, CA
Alles Kannibalen?, ME-Collectors Room, Berlin
2010
The Artist's Museum: Los Angeles Artists 1980-2010, The Museum of Contemporary Art, Los Angeles, CA
The Politics of Art, National Museum of Contemporary Art, Athens, Greece
The Last Newspaper, New Museum, New York
Sisters, Brothers & Others, Claremont University East Gallery, Claremont, CA
Everything is Political, FOCA Fellowship exhibition, Fellows of Contemporary Art, Los Angeles, CA
Supernatural, Jancar Gallery, Los Angeles, CA
In the Balance: Art for a Changing World, Museum of Contemporary Art, Sydney, Australia
The Seventh House, Project Row Houses, Houston, TX
The Road to Hell is Paved..., Las Cienegas Projects, Los Angeles, CA
Cycle 8: Stowaways, The Centro Montehermoso, Vitoria Gasteiz, Araba, Spain, curated by Elke Krystufek, part of the exhibition series PASSWORDS, New Representation of Femininity
Collection: MOCA's First Thirty Years (1980-Now), The Geffen Contemporary at the Museum of Contemporary Art, Los Angeles, CA
Inaugural Group Exhibition, Susanne Vielmetter Los Angeles Projects, Culver CIty, CA
Love in a Cemetery, 18th Street Art Center, Santa Monica, CA
2009
Bitch is The New Black, Honor Fraser, Los ANgeles, CA, curated by Emma Gray
Multitud Singular: El arte de resistir, Curated by Berta Sichel, Museo Nacional Centro de Arte Reina Sofia, Madrid
Collection: MOCA's First 30 Years, Museum of Contemporary Art, Los Angeles
Das Gespinst - Die Sammlung Schürmann Zu Besuch Im Museum Abteiberg, Museum Abteiberg, Mönchengladbach
No Solid Crystal, Nice and Fit at Remap II, Kerameikou 28, Athens
Suddenly This Summer, Sikkema Jenkins & Co, New York
2008
Wunderkammer Lüneburg, Halle für Kunst, Lüneburg, DE
California Biennial 2008, Curated by Lauri Firstenberg, Orange County Museum of Art, Newport Beach, CA
Proyecto civico, Curated by Lucia Sanromán and Ruth Estévez, The Centro Cultural Tijuana (CECUT), Tijuana, Mexico
Progress, Whitney Museum of Art, New York
Index: Conceptualism in California from the Permanent Collection, The Geffen Contemporary at MOCA, Los Angeles
nach/sichten, Video works from the Collection Goetz, Edith-Russ-Haus für Medienkunst, Oldenburg, Germany, curated by
Sabine Himmelsbach and Stephan Urbaschek
Currents: Recent Acquisitions, Hirshhorn Museum and Sculpture Garden, Washington D.C.
Amateurs, CCA Wattis Institute for Contemporary Arts, San Francisco, CA, curated by Ralph Rugoff
Memory Is Your Image Of Perfection, Museum of Contemporary Art, San Diego
We Remember The Sun, San Francisco Art Institute, San Francisco, CA
Southern Exposure: Works from the Collection of the MCA San Diego, Curated by Rachel Kent, Dr. Stephanie Hanor, Museum of Contemporary Art, Syndey, Australia
The Way That We Rhyme, Yerba Buena Center for the Arts, San Francisco
Southern Exposure; Works from the Collection of the Museum of Contemporary Art San Diego, Museum of Contemporary Art, Sydney
Diamonds and Bars. Die Kunst der Amischen. Quilts aus der Sammlung Schlumberger, ZKM/ Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe
Paperweight, Mehdi Chouakri, Berlin
Small Things End, Great Things Endure, New Langton Arts, San Francisco
La Mirada Iracunda / The Furious Gaze, Centro Cultural Montehermoso, Vitoria-Gasteiz, Spain
2007
Radical Hospitality, The Suburban, Chicago
Nothing Moments Projects, Steve Turner Contemporary, Los Angeles, curated by Stven Hull and Tami Demaree
Resistance is..., Whitney Museum of American Art, New York, curated by Tina Kukielski and Hannah Feldman
Encore, Gallery 4000, Chicago, curated by Huey Copeland and Hannah Feldman
Tanzen, Sehen., Museum für Gegenwartskunst, Siegen, Germany; traveling to Centro Andaluz de Arte Contemporáneo Sevilla, Spain
The California Files: Re-Viewing Side Effects of Cultural Memory, Curated by Ariane Beyn, CCA Wattis Institute for Contemporary Art, San Francisco    
The Evil, Teil 1: Presse & Politik, Curated by Raimar Stange, Galerie Gebr. Lehmann, Dresden    
Classe de Danse, Curated by Alessio Fransoni and Ilari Valbonesi, Madonna #fust Galerie, Bern
2006    
Personal Affairs, Museum Morsbroich, Leverkusen, Germany (Cat.)
Particulate Matter, Mills College Art Museum, Oakland
Prevailing Climate, Sara Meltzer Gallery, New York
First Artist Defines Meaning, Camera Austria, Kunsthaus Graz
Human Game: Winners and Losers, Curated by Francesco Bonami, Maria Luisa Frisa and Stefano Tonchi, Fondazione Pitti Discovery, Florence
This is Not a Love Song, Susanne Vielmetter Gallery, Los Angeles    
Anticipation, Curated by Karen Irvine, Museum of Contemporary Photography, Chicago
Art for Our Sake!, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York
Welcome Home, Sara Meltzer Gallery, New York
Jump Cut -Nights - A symposium on choreographic structures in moving images, Videoperformance - stories told through movement, Curated by Georg Elben, Cinema of Museum Ludwig, Cologne
2005
Monuments for the USA, Curated by Ralph Rugoff, CCA Wattis Institute for Contemporary Arts, San Francisco; traveled to White Columns, New York
REALIT;-)T, Seedamm Kulturzentrum, Pfäffikon, Switzerland
Touch of Evil, Gallery Estación Tijuana, Tijuana, Mexico
The Last Christmas, Mehdi Chouakri, Riverside Wall, Berlin
REALIT;-)T, Curated by Andreas Meier with Dr. Stephan Urbaschek, Sammlung Goetz, Seedamm Kulturzentrum, Pfäffikon, Switzerland
Estacion Tijuana, Tijuana
Mary Goldman, Los Angeles
Old News, Curated by Jacob Fabricius, Los Angeles Contemporary Exhibitions, Los Angeles
New Tapestries, Sara Meltzer Gallery, New York
Nonviolent Civil Disobedience Training (screening), Kunsthalle Basel, Art/Film, Art/ 36/Basel
Fast Forward, Media Art From the Goetz Collection, Conde Duque Centro Cultural, Madrid
2004
100 Artists See God, Curated by John Baldessari and Meg Cranston , organized and circulated by Independent Curators International, New York; traveled to the Jewish Museum, San Francisco; Laguna Art Museum, Laguna Beach, California; Institute of Contemporary Arts, London; Contemporary Art Center of Virginia, Virginia Beach; Freedman Art Gallery, Albright College, Reading, Pennsylvania; Cheekwood Museum of Art, Nashville
Dance Dance Revolution, Curated by Matthew Lyons & Lanka Tattersall, The Leroy Neiman Gallery, Columbia University, New York
Victory 2004, Ronald Felman, New York
Kurzdavordanach, Curated by von Wilhelm Schürmann, Die Photographische Sammlung/ SK Stiftung Kultur, Köln, Cologne
Vieja Gloria (screening), University of Illinois, Chicago
The Freedom Salon, Deitch Projects, New York
Drawings, Galerie Praz-Delavallade, Paris
Whitney Biennial, Curated by Chrissie Iles, Shamim Momin, and Debra Singer, Whitney Museum of American Art, New York
2003
Fast Forward- Media Art Sammlung Goetz, ZKM/Zentrum für Kunst und Medientechnologie, Karlsruhe; traveled to Conde Duque Centro Cultural, Madrid
Rendered, Sara Meltzer Gallery, New York
Yard: An Exhibition about the Private Landscape That Surrounds Suburban Domestic Architecture, Curated by Robyn Donohue and Alyson Baker, Socrates Sculpture Park, Long Island City, New York
Extended Play: Art Remixing Music, Curated by Simon Rees, Govett-Brewster Art Gallery, New Plymouth, New Zealand
C.O.L.A. 2003, Municipal Art Gallery, Barnsdall Art Park, Los Angeles
Conversations, Curated by Connie Butler, Museum of Contemporary Art, Los Angeles
2002    
Videodrome II, Curated by Dan Cameron, Anne Barlow, Johanna Burton and Anne Ellegood, New Museum of Contemporary Art, New York. Traveled to; Santa Barbara Contemporary Arts Forum, Santa Barbara; Weatherspoon Art Museum, Greensboro; Bates College Museum of Art, Lewiston
Time-Share, Sara Meltzer Gallery, New York
Remix: Contemporary Art and Pop, Curated by Simon Wallis, Tate Liverpool, Liverpool
DV Noir: Video Art from Under the Shadow of Hollywood, Curated by Rodolfo Sanchez, Museum at California Center for the Arts, Escondido
LA On My Mind: Recent Acquisitions from MOCA’s Collection, Curated by Michael Darling, MOCA @ The Pacific Design Center, Los Angeles
Goldman Tevis, Los Angeles
New Heimat, Curated by Nicolaus Schafhausen, Frankfurter Kunstverein, Frankfurt am Main
Retake, Curated by Susanne Titz and Ulrike Groos, Neuer Aachener Kunstverein, Aachen
Untlilted (Bowers, Hamilton, Schwarz, Steinfeld), Curated by Christine Bisetto and Steffen Boddeker, Haggerty Gallery, University of Dallas, Irving
2001
Casino 2001, Curated by Jeanne Greenberg Rohatyn, Stedelijk Museum voor Actuele Kunst, Ghent
Everybody Now, Curated by Katy Siegel, The Bertha & Karl Leubsdorf Gallery, Hunter College, New York
Subject Plural, Curated by Paola Morsiani, Contemporary Arts Museum, Houston
False Start, Curated by Cecilia Brunson, Center for Curatorial Studies, Bard College, Annandale-on-Hudson
2000    
Video Take, Stuc en Hedendaagse Kunsten, De Openbare Bibliotheek, Leuven, Belgium
Making Time: Considering Time as a Material in Contemporary Film & Video, Curated by Amy Cappellazzo, Palm Beach Institute of Contemporary Art, Florida; traveled to UCLA Hammer Museum, Los Angeles
Radar Love, Curated by David Pagel, Galleria Marabini, Bologna
Game On!, Sara Meltzer Gallery, New York
Moving Pictures, Galerie Tommy Lund, Copenhagen
1999    
Painting: Fore and Aft, ACME, Los Angeles
Drawing the Line, Curated by Kirk Delman, Ruth Chandler Williamson Gallery, Scripps College, Claremont
Venus, Curated by Habib Kheradyar, Arc, Vienna
Motion Studies, Curated by Michael Darling , Kunsthallen Brandts Klaedefabrik, Odense, Denmark
A Living Theatre, Curated by Diana Thater and Hildegund Amanshauser, Salzburger Kunstverein, Salzburg
Video Cult/tures, ZKM/Zentrum für Kunst und Medientechnologie, Karlsruhe
More Than Meets the Eye, Curated by Wilhelm Schürmann, Deichtorhallen Hamburg, Hamburg
Transfer, Curated by Rosanne Alstatt, Videonale-Intermezzo, Kunstmuseum Bonn, Bonn
I’m the Boss of Myself, Sara Meltzer's on view, New York
Me Mine, Curated by Julie Joyce and Mike Mehring, Luckman Fine Arts Gallery, California State University, Los Angeles
Group Exhibition, Curated by Susie Allen for Virgin Atlantic Airways, Virgin Atlantic VIP Lounge, Newark Airport, Newark
1998
Unfinished History, Curated by Francesco Bonami, Walker Art Center, Minneapolis; traveled to Museum of Contemporary Art, Chicago
Guarene Arte 98, Selected by Douglas Fogle, Fondazione Sandretto Re Rebaudengo, Turino
Ohio (two-person show with Sam Durant), Dogenhaus, Berlin
Time Dilates, Three Day Weekend, New York
Kamikaze, Curated by Monica Bonvicini, Marstall, Berlin
Phoenix Triennial, Curated by David Rubin, Phoenix Art Museum, Phoenix
In the Polka Dot Kitchen, Curated by Sally Elesby and Anne Ayres, Otis Gallery and Armory Center, Los Angeles
Love at the End of the Tunnel, or the Beginning of a Smart New Day, Curated by Marilu Knode, Center of Contemporary Art, Seattle
Wings of Desire, Curated by Michelle Guy, Walter McBean Gallery, San Francisco Art Institute, San Francisco
Three Day Weekend, Curated by Dave Muller, Los Angeles
Youth Studies, Curated by Brad Spence, POSTdowntown, Los Angeles
1997
Places That Are Elsewhere, Curated by Diana Thater, David Zwirner Gallery, New York
Quartzose, Curated by Michael Darling, Galleri Tommy Lund, Copenhagen
Hot Coffee, Curated by Thomas Lawson, Artists Space, New York
The Summer of Love, Fotouhi Cramer Gallery, New York
1996
Space Space, Curated by Stephen Hartzog, POST, Los Angeles
True.BLISS, Los Angeles Contemporary Exhibitions, Los Angeles
Trying/Pattern, Art Center College, Pasadena
Open House. Curated by John O’Brien, Alyce de Roulet Williamson Gallery, Art Center College of Design, Pasadena
Ether, Curated by Michelle Guy, Angles Gallery, Santa Monica
Report from Spring Training, Spanish Box, Santa Barbara
1995    
Neotoma, Otis Gallery, Otis College of Art and Design, Los Angeles
Redevelopment, Curated by Stephen Hartzog & Rick Pirro
Couldn’t Get Ahead, Curated by Adam McEwen, Independent Artists Space, London
Three Day Weekend Takes an Extended Working Vacation, Diverseworks, Houston
People–Going Places–Doing Things, N.A.M.E. Gallery, Chicago
Pretty, FOOD HOUSE, Santa Monica
1994
Thanks—The Works Is Not for Sale But Up for Barter, Three Day Weekend, Los Angeles
Dave’s Not Here, Three Day Weekend, Los Angeles
Thanks Again, FOOD HOUSE, Santa Monica
Bad Girls, Curated by Marcia Tucker, New Museum of Contemporary Art, New York
The Power of Positive Thinking, Curated by Sam Durant, FOOD HOUSE, Santa Monica
Second Skin, Curated by Charles LaBelle, Espace, San Francisco
Utter Realities, Curated by Randy Sommer, Cerritos College Fine Art Gallery, Cerritos College, Norwalk
PARANOID, Co-organized by Sam Durant, M*Y*T*H* Series at the Brewery, Los Angeles
1993
Loose Slots, Curated by Richard Kuhlenshmidt, Temporary Contemporary, Las Vegas
Melancholic Consolation and Cynicism, Künstlerhaus Bethanien, Berlin
Thank You, FOOD HOUSE, Santa Monica
Public and Private Pleasure, Curated by Lauren Lesko, Nomadic Sites, Los Angeles
Cherry Bomb, Southern Exposure, San Francisco
Heaven Missing, Jose Freire Gallery, New York
FOOD HOUSE Visits the Art Store Gallery, Curated by FOOD HOUSE, The Art Store, Los Angeles
Imp of the Perverse. Curated by Alisa Tager, Sally Hawkins Gallery, New York
1992    
Skinned Eyes/Skin Dyes, Curated by Tyler Stallings, The Bridge Gallery, Los Angeles City Hall, Los Angeles
The FAR Bazaar, Foundation for Art Resources Inc., Federal Reserve Building, Los Angeles
Good Design, Organized by Jorge Pardo & Pae White, Nomadic Sites, Pasadena
Afterthought, San Francisco Art Institute, San Francisco
1991    
Window on L.A., Curated by David Pagel, L.A. Art Fair, Los Angeles
Tales From The Creeps, Marc Richards Gallery, Santa Monica Bonvicini


GRANTS AND AWARDS
2010
FOCA Fellowship
2009
The California Community Foundation Arts Fellowship
Louis Comfort Tiffany Foundation Biennial Award
2008
Contemporary Collectors: Orange County, Fellowship
The Durfee Foundation, Grant Recipient
United States Artists Broad Fellow
2003
City of Los Angeles (C.O.L.A.), Fellowship Recipient for Visual Arts
1998    
Fondazione Sandretto Re Rebaudengo per l’arte Prize, Nominee
WESTAF/NEA, Regional Fellowship for Visual Arts in Sculpture

SELECTED  COLLECTIONS
Artpace, San Antonio, TX
Brooklyn Museum, Brooklyn, NY
Linda Pace Foundation, San Antonio, TX
The Armand Hammer Museum of Art and Culture Center, Los Angeles, CA
The Hirshhorn Museum, Washington, DC
The Ingvild Goetz Collection, Munich Germany
The Museum of Modern Art, New York, NY
The Museum of Contemporary Art, Los Angeles, CA
The Museum of Fine Arts, Houston, TX
The Museum of Contemporary Art San Diego, San Diego, CA
Museum Abteiberg, Moenchengladbach, Germany
National Museum of Contemporary Art, Athens, Greece
Orange County Museum of Art, Newport Beach, CA
Collection of Gaby & Wilhelm Schürmann, Herzogenrath, Germany
Utah Museum of Fine Arts, Salt Lake City, UT
The Whitney Museum of American Art, New York, NY