Andrea Bowers *1965, Wilmington, Ohio, lives and works in Los Angeles 1992 MFA, California Institute of the Arts, Valencia 1987 BFA, Bowling Green State University, Ohio SOLO EXHIBITIONS 2007 The Weight of Relevance, Susanne Vielmetter Los Angeles Projects, Los Angeles The Weight of Relevance, Secession, Vienna 2006 Vows, Halle fur Kunst e. V., Luneburg Nothing Is Neutral, REDCAT, Los Angeles, CA, Curated by Eungie Joo; traveled to Artpace, San Antonio Eulogies to One and Another, Galerie Praz-Delavallade, Paris Your Whole Fucking Culture Alienates Me, Mehdi Chouakri, Berlin Letters to an Army of Three, Core Program, Glassell School of Art, Museum of Fine Arts, Houston 2005 Mehdi Chouakri, Riverside Wall, Berlin Culture of Choice, Van Horn, Dusseldorf 2004 Soft Blockades Part 2, Magazin 4, Vorarlberger Kunstverein, Bregenz Soft Blockades, Mary Goldman Gallery, Los Angeles Nonviolent Civil Disobedience Training, Sara Meltzer Gallery, New York 2003 Magical Politics, Chouakri Brahms, Berlin 2002 Virtual Arena, Sara Meltzer Gallery, New York From Mouth to Ear, Goldman Tevis, Los Angeles Box with Dance of Its Own Making, Chouakri Brahms, Berlin 2001 Democracy’s Body—Dance Dance Revolution, Art Statements, Art 32 Basel, Switzerland 2000 Intimate Strangers, Sara Meltzer Gallery, New York I Need a Hero, Institute of Visual Arts, University of Wisconsin, Milwaukee One and the Same Body, ARCO Project Room, Madrid 1301 PE, Los Angeles 1999 Moving Equilibrium, Sara Meltzer’s on view, New York 1998 Spectacular Appearances, Santa Monica Museum of Art, Santa Monica 1997 Spectacular Appearances in the Food Court, a project with the Santa Monica Museum of Art and the Santa Monica Place Mall 1996 Spanish Box, Santa Monica, Santa Monica 1994 Damaged Goods, Bliss, Pasadena 1993 FOOD HOUSE, Santa Monica GROUP EXHIBITIONS 2007 Classe de Danse, Curated by Alessio Fransoni and Ilari Valbonesi, Madonna #fust Galerie, Bern The California Files: Re-Viewing Side Effects of Cultural Memory, Curated by Ariane Beyn, CCA Wattis Institute for Contemporary Art, San Francisco Tanzen, Sehen., Museum fur Gegenwartskunst, Siegen, Germany; traveling to Centro Andaluz de Arte Contemporáneo in Sevilla. The Evil, Curated by Raimar Stange, Galerie Gebr. Lehmann, Dresden 2006 Personal Affairs, Museum Morsbroich, Leverkusen Particulate Matter, Mills College Art Museum, Oakland Prevailing Climate, Sara Meltzer Gallery, New York First Artist Defines Meaning, Camera Austria, Kunsthaus Graz Human Game: Winners and Losers, Curated by Francesco Bonami, Maria Luisa Frisa and Stefano Tonchi, Fondazione Pitti Discovery, Florence This is Not a Love Song, Susanne Vielmetter Gallery, Los Angeles Anticipation, Curated by Karen Irvine, Museum of Contemporary Photography, Chicago Art for Our Sake!, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York Welcome Home, Sara Meltzer Gallery, New York Jump Cut -Nights - A symposium on choreographic structures in moving images, Videoperformance - stories told through movement, Curated by Georg Elben, Cinema of Museum Ludwig, Cologne 2005 Monuments for the USA, Curated by Ralph Rugoff, CCA Wattis Institute for Contemporary Arts, San Francisco; traveled to White Columns, New York REALIT;-)T, Seedamm Kulturzentrum, Pfaeffikon, Switzerland Touch of Evil, Gallery Estación Tijuana, Tijuana, Mexico The Last Christmas, Mehdi Chouakri, Riverside Wall, Berlin REALIT;-)T, Curated by Andreas Meier with Dr. Stephan Urbaschek, Sammlung Goetz, Seedamm Kulturzentrum, Pfaeffikon, Switzerland Estacion Tijuana, Tijuana Mary Goldman, Los Angeles Old News, Curated by Jacob Fabricius, Los Angeles Contemporary Exhibitions, Los Angeles New Tapestries, Sara Meltzer Gallery, New York Nonviolent Civil Disobedience Training (screening), Kunsthalle Basel, Art/Film, Art/ 36/Basel Fast Forward, Media Art From the Goetz Collection, Conde Duque Centro Cultural, Madrid 2004 100 Artists See God, Curated by John Baldessari and Meg Cranston , organized and circulated by Independent Curators International, New York; traveled to the Jewish Museum, San Francisco; Laguna Art Museum, Laguna Beach, California; Institute of Contemporary Arts, London; Contemporary Art Center of Virginia, Virginia Beach; Freedman Art Gallery, Albright College, Reading, Pennsylvania; Cheekwood Museum of Art, Nashville Dance Dance Revolution, Curated by Matthew Lyons & Lanka Tattersall, The Leroy Neiman Gallery, Columbia University, New York Victory 2004, Ronald Felman, New York Kurzdavordanach, Curated by von Wilhelm Schuermann, Die Photographische Sammlung/ SK Stiftung Kultur, Cologne Vieja Gloria (screening), University of Illinois, Chicago The Freedom Salon, Deitch Projects, New York Drawings, Galerie Praz-Delavallade, Paris Whitney Biennial, Curated by Chrissie Iles, Shamim Momin, and Debra Singer, Whitney Museum of American Art, New York 2003 Fast Forward- Media Art Sammlung Goetz, ZKM/Zentrum für Kunst und Medientechnologie, Karlsruhe; traveled to Conde Duque Centro Cultural, Madrid Rendered, Sara Meltzer Gallery, New York Yard: An Exhibition about the Private Landscape That Surrounds Suburban Domestic Architecture, Curated by Robyn Donohue and Alyson Baker, Socrates Sculpture Park, Long Island City, New York Extended Play: Art Remixing Music, Curated by Simon Rees, Govett-Brewster Art Gallery, New Plymouth, New Zealand C.O.L.A. 2003, Municipal Art Gallery, Barnsdall Art Park, Los Angeles Conversations, Curated by Connie Butler, Museum of Contemporary Art, Los Angeles 2002 Videodrome II, Curated by Dan Cameron, Anne Barlow, Johanna Burton and Anne Ellegood, New Museum of Contemporary Art, New York. Traveled to; Santa Barbara Contemporary Arts Forum, Santa Barbara; Weatherspoon Art Museum, Greensboro; Bates College Museum of Art, Lewiston Time-Share, Sara Meltzer Gallery, New York Remix: Contemporary Art and Pop, Curated by Simon Wallis, Tate Liverpool, Liverpool DV Noir: Video Art from Under the Shadow of Hollywood, Curated by Rodolfo Sanchez, Museum at California Center for the Arts, Escondido LA On My Mind: Recent Acquisitions from MOCA’s Collection, Curated by Michael Darling, MOCA @ The Pacific Design Center, Los Angeles Goldman Tevis, Los Angeles New Heimat, Curated by Nicolaus Schafhausen, Frankfurter Kunstverein, Frankfurt am Main Retake, Curated by Susanne Titz and Ulrike Groos, Neuer Aachener Kunstverein, Aachen Untlilted (Bowers, Hamilton, Schwarz, Steinfeld), Curated by Christine Bisetto and Steffen Boddeker, Haggerty Gallery, University of Dallas, Irving 2001 Casino 2001, Curated by Jeanne Greenberg Rohatyn, Stedelijk Museum voor Actuele Kunst, Ghent Everybody Now, Curated by Katy Siegel, The Bertha & Karl Leubsdorf Gallery, Hunter College, New York Subject Plural, Curated by Paola Morsiani, Contemporary Arts Museum, Houston False Start, Curated by Cecilia Brunson, Center for Curatorial Studies, Bard College, Annandale-on-Hudson 2000 Video Take, Stuc en Hedendaagse Kunsten, De Openbare Bibliotheek, Leuven, Belgium Making Time: Considering Time as a Material in Contemporary Film & Video, Curated by Amy Cappellazzo, Palm Beach Institute of Contemporary Art, Florida; traveled to UCLA Hammer Museum, Los Angeles Radar Love, Curated by David Pagel, Galleria Marabini, Bologna Game On!, Sara Meltzer Gallery, New York Moving Pictures, Galerie Tommy Lund, Copenhagen 1999 Painting: Fore and Aft, ACME, Los Angeles Drawing the Line, Curated by Kirk Delman, Ruth Chandler Williamson Gallery, Scripps College, Claremont Venus, Curated by Habib Kheradyar, Arc, Vienna Motion Studies, Curated by Michael Darling , Kunsthallen Brandts Klaedefabrik, Odense, Denmark A Living Theatre, Curated by Diana Thater and Hildegund Amanshauser, Salzburger Kunstverein, Salzburg Video Cult/tures, ZKM/Zentrum für Kunst und Medientechnologie, Karlsruhe More Than Meets the Eye, Curated by Wilhelm Schürmann, Deichtorhallen Hamburg, Hamburg Transfer, Curated by Rosanne Alstatt, Videonale-Intermezzo, Kunstmuseum Bonn, Bonn I’m the Boss of Myself, Sara Meltzer's on view, New York Me Mine, Curated by Julie Joyce and Mike Mehring, Luckman Fine Arts Gallery, California State University, Los Angeles Group Exhibition, Curated by Susie Allen for Virgin Atlantic Airways, Virgin Atlantic VIP Lounge, Newark Airport, Newark 1998 Unfinished History, Curated by Francesco Bonami, Walker Art Center, Minneapolis; traveled to Museum of Contemporary Art, Chicago Guarene Arte 98, Selected by Douglas Fogle, Fondazione Sandretto Re Rebaudengo, Turino Ohio (two-person show with Sam Durant), Dogenhaus, Berlin Time Dilates, Three Day Weekend, New York Kamikaze, Curated by Monica Bonvicini, Marstall, Berlin Phoenix Triennial, Curated by David Rubin, Phoenix Art Museum, Phoenix In the Polka Dot Kitchen, Curated by Sally Elesby and Anne Ayres, Otis Gallery and Armory Center, Los Angeles Love at the End of the Tunnel, or the Beginning of a Smart New Day, Curated by Marilu Knode, Center of Contemporary Art, Seattle Wings of Desire, Curated by Michelle Guy, Walter McBean Gallery, San Francisco Art Institute, San Francisco Three Day Weekend, Curated by Dave Muller, Los Angeles Youth Studies, Curated by Brad Spence, POSTdowntown, Los Angeles 1997 Places That Are Elsewhere, Curated by Diana Thater, David Zwirner Gallery, New York Quartzose, Curated by Michael Darling, Galleri Tommy Lund, Copenhagen Hot Coffee, Curated by Thomas Lawson, Artists Space, New York The Summer of Love, Fotouhi Cramer Gallery, New York 1996 Space Space, Curated by Stephen Hartzog, POST, Los Angeles True.BLISS, Los Angeles Contemporary Exhibitions, Los Angeles Trying/Pattern, Art Center College, Pasadena Open House. Curated by John O’Brien, Alyce de Roulet Williamson Gallery, Art Center College of Design, Pasadena Ether, Curated by Michelle Guy, Angles Gallery, Santa Monica Report from Spring Training, Spanish Box, Santa Barbara 1995 Neotoma, Otis Gallery, Otis College of Art and Design, Los Angeles Redevelopment, Curated by Stephen Hartzog & Rick Pirro Couldn’t Get Ahead, Curated by Adam McEwen, Independent Artists Space, London Three Day Weekend Takes an Extended Working Vacation, Diverseworks, Houston People–Going Places–Doing Things, N.A.M.E. Gallery, Chicago Pretty, FOOD HOUSE, Santa Monica 1994 Thanks—The Works Is Not for Sale But Up for Barter, Three Day Weekend, Los Angeles Dave’s Not Here, Three Day Weekend, Los Angeles Thanks Again, FOOD HOUSE, Santa Monica Bad Girls, Curated by Marcia Tucker, New Museum of Contemporary Art, New York The Power of Positive Thinking, Curated by Sam Durant, FOOD HOUSE, Santa Monica Second Skin, Curated by Charles LaBelle, Espace, San Francisco Utter Realities, Curated by Randy Sommer, Cerritos College Fine Art Gallery, Cerritos College, Norwalk PARANOID, Co-organized by Sam Durant, M*Y*T*H* Series at the Brewery, Los Angeles 1993 Loose Slots, Curated by Richard Kuhlenshmidt, Temporary Contemporary, Las Vegas Melancholic Consolation and Cynicism, Künstlerhaus Bethanien, Berlin Thank You, FOOD HOUSE, Santa Monica Public and Private Pleasure, Curated by Lauren Lesko, Nomadic Sites, Los Angeles Cherry Bomb, Southern Exposure, San Francisco Heaven Missing, Jose Freire Gallery, New York FOOD HOUSE Visits the Art Store Gallery, Curated by FOOD HOUSE, The Art Store, Los Angeles Imp of the Perverse. Curated by Alisa Tager, Sally Hawkins Gallery, New York 1992 Skinned Eyes/Skin Dyes, Curated by Tyler Stallings, The Bridge Gallery, Los Angeles City Hall, Los Angeles The FAR Bazaar, Foundation for Art Resources Inc., Federal Reserve Building, Los Angeles Good Design, Organized by Jorge Pardo & Pae White, Nomadic Sites, Pasadena Afterthought, San Francisco Art Institute, San Francisco 1991 Window on L.A., Curated by David Pagel, L.A. Art Fair, Los Angeles Tales From The Creeps, Marc Richards Gallery, Santa Monica Bonvicini PERFORMANCES 1993 Indignant Fairy, Beyond Baroque, Venice 1991 Cafeteria, The Other 45 Minutes, Los Angeles GRANTS AND AWARDS 2003 City of Los Angeles (C.O.L.A.), Fellowship Recipient for Visual Arts 1998 Fondazione Sandretto Re Rebaudengo per l’arte Prize, Nominee WESTAF/NEA, Regional Fellowship for Visual Arts in Sculpture BIBLIOGRAPHY 2007 Pagel, David. "Honoring a quilt and its powerful message", Los Angeles Times, May 18, 2007 Bowers, Andrea. "Guest Lecture by Andrea Bowers", Artillery, Vol 1, No. 5 (May 2007), p. 24 Wing, Carlin, "WACK!: Art and The Feminist Revolution", Fluent Collaborative, Issue 87 (April2007) Pohlen, Annelie. “Personal Affairs, ‘Neue Formen der Intimität’”, Kunstforum International (March/April 2007), p. 334-337. "Personal Affairs im Museum Morsbroich", Kunstbulletin, January, 2007, p.70 Kort, Michele. "The Women Who Came Before Roe", Alternet, January, 2007 2006 Schwenke-Runkel, Ingeborg. "Wie viel Intimitat ist erlaubt?", Kolner - Stadt - Anzeiger, vol 2.3 (December 2006) Heinzelmann, Markus. “Personal Affairs, New Forms of Intimacy”, Exhibition catalogue. Leverkusen: Museum Morsbroich, 2006. Lawson, Tom. “Best of 2006”, Artforum (December 2006), p. 290 Kohler, Michael. "Das Ich als Grabbelkiste", Frankfurter Rundschau, Vol 7 (December 2006) Payton, Brenda. "Art explores world at tipping point", Oakland Tribune, September 22, 2006 Dawsey, Jill. "Andrea Bowers' History Lessons", Afterall (Autumn/Winter 2006), p.18-26 Sperlinger, MIke. "Bad Example: Andrea Bowers", Afterall (Autumn/Winter 2006), p.11-17 Bowers, Andrea, and Paul Chan. "Power", The Wrong Times (2006), p.9 Kort, Michelle. "Letters to an Army of 3", Ms. Magazine (Fall 2006), p.43-45 Butler, Connie, Mary Leclère and Eungie Joo. "Nothing is Neutral: Andrea Bowers". Exhibition Catalogue, REDCAT, 2006 Bowers, Andrea and Eungie Joo. "DIY school, Andrea Bowers and Eungie Joo in Conversation", "Nothing is Neutral: Andrea Bowers", Exhibition pamphlet, REDCAT, 2006 Myers, Terry. "Andrea Bowers, Nothing is Neutral", Modern Painters (September 2006), p.102 Myers, Holly. "Balancing art, politics", Los Angeles Times, July 19, 2006, p. E3 Lapp, Axel. "Your Whole Fucking Culture Alienates Me". Art Review (July 2006), p.135 Bonami, Francesco, Maria Luisa Frisa, and Stefano Tonchi. Human Game: Winners and Losers. Exhibition catalogue. Florence: Fondazione Pitti Discovery and Charta, 2006. Morgan, Margaret, “Regarding Beauty.” A Companion to Contemporary Art since 1945, Blackwell Publishing, edited by Amelia Jones, 2006 p. 182. Baldwin, Cara. “Cara Baldwin Interviews Andrea Bowers.” InterReview, 2006 p. 33 Futernick, Marisa. "Marisa Futernick on Andrea Bowers", InterReview, 2006 p. 35 Herbst, Marc. "Marc Herbst on Andrea Bowers", InterReview, 2006 p. 36 Lowther, John. "John Lowther on Andrea Bowers", InterReview, 2006 p. 39 Bell, Kirsty, Maren Lubbke-Tidow, and Raimar Stange. “Andrea Bowers/Matthew Antezzo.” Neue Review, Art in Berlin, (January 2006), pp. 4–9. Pollack, Barbara "Social Studies, Sixty artists overhaul the concept of national monuments" Time Out New York (January 19-20, 2006) 2005 Leclère, Mary. Andrea Bowers: Letters to the Army of Three. Exhibition catalogue. Houston: Glassell School of Art, Museum of Fine Arts, 2005. Meltzer, Eve. “Monuments for the USA.” Frieze, no. 92 (Summer 2005). Kraus, Chris, Jan Tumlir, and Jane McFadden. L.A. Artland: Contemporary Art from Los Angeles. London: Black Dog Publishing, 2005. Sholis, Brian. Vitamin D: New Perspectives in Drawings. London and New York: Phaidon Press, 2005. Bowers, Andrea. “Four Emerging Women Speak Out on Mary Kelly’s Circa 1968: Danielle Gustafson-Sundell, Cara Baldwin, Marisa Futernick, and Andrea Bowers.” InterReview, no. 5 (2005). Lorch, Catrin. “Van Horn, Dusseldorf, Germany.” Frieze, no. 94 (October 2005), p. 228. Rugoff, Ralph. Monuments for the USA. Exhibition catalogue. San Francisco: CCA Wattis Institute for Contemporary Arts, 2005. Siegel, Katy. “All Together Now.” Artforum, (January 2005), p. 169. 2004 “Alla Biennale del Whitney, tourna la pittura”, Arte (April 2004), p. 109. Bankowsky, Jack. “This Is Today.” Artforum, (May 2004), p. 170. Bowers, Andrea. “Magical Politics—Feast or Fasting.” Cakewalk, no. 6 (2004), pp. 23–25. Bowers, Andrea. "My Pop" Artforum (October 2004), p. 94. Dambrot, Shana Nys. “Andrea Bowers at Mary Goldman Gallery.” Artweek (September 2004), pp. 19–20. Dunn, Melissa. "Whitney Biennial: A Good-Looking Corpse," Flash Art (May-Jun 2004), p. 63. Heartney, Eleamor. "The Well-Tempered Biennial", Art in America (June/July 2004), p. 75. Knight, Christopher. “Politics and Art? Of Course, She Says.” Los Angeles Times, June 11, 2004. Kraus, Chris. "Chance", 2004. Kraus, Chris. “Sentimental Bitch.” Video Green. New York and Los Angeles: Semiotext(e) Publishing, 2004. Kuhn, Thomas. "Fast Forward", Kunstforum International, 168 (Januar/Februar 2004), p. 346-348. Larsen, Lars Bang, Katy Siegel, and Jan Verwoert. “What the World Needs Now…” Frieze, no. 87 (November/December 2004). Lee, Pamela M. “Crystal Lite.” Artforum, (May 2004), p. 174. Mania, Astrid. “Review: Andrea Bowers.” U-Spot, (February 2004), p. 49. Martens, Anne. “Andrea Bowers.” Flash Art, (July/September 2004), p. 116. Morgan, Susan. “If Memories Failed to Fade.” Andrea Bowers. Exhibition catalogue: Bregenz: Magazin 4, Vorarlberger Kunstverein, 2004. Seigel, Katy and Mattick, Paul, Art Works Money, Thames & Hudson, 2004. Siegel, Katy, et al. “American Pie.” Frieze, no. 83 (May 2004), p. 69. Sholis, Brian. "“Creative Resistance: Carol Bove and Andrea Bowers.” Flash Art, (October 2004), p. 102. 2003 Fast Forward: Media Art from the Goetz Collection. Exhibition catalogue. Munich: Sammlung Goetz, 2003. Durant, Sam, and Monica Bonvicini. “Andrea Bowers.” Neue Review, Art in Berlin, (December 2003), pp. 4–5. Jana, Renna. “California Dreamin”, Tema Celeste, 91 (2003), p. 20-21 Kantor, Jordan. “Andrea Bowers.” Artforum, (January 2003), p. 140. Myers, Holly. “Relationships at Play in the Physical World”, Los Angeles Times, July 19, 2003 Smith, Roberta. “Impressions of the Yard, Visual and Olfactory.” New York Times, June 27, 2003. Sorbello, Marina. "Andrea Bowers: Magical Politics", The Art Newspaper (December 2003). Thorson, Alice. "The Art of War," Kansas City Star, March 30, 2003. 2002 Bowers, Andrea. “Game Girl,” V Magazine (July/August 2002) Bowers, Andrea. “Top Ten,” Artforum (April 2002), p. 38. Casino 2001. Exhibition catalogue. Ghent: Stedelijk Museum voor Actuele Kunst, 2002, pp. 58–59. Gavlak, Sarah. “Andrea Bowers, ‘Intimate Strangers.'" Time Out. January 11–18, 2002. Harvey, Doug “About Time, Bitchin' video art at the Hammer.” LA Weekly. February 16-22, 2002. Knode, Marilu. “Revolution Dance.” WIEDERAUFNAHME Retake. Exhibition catalogue. Aachen: Neuer Aachener Kunstverein, 2002. Kraus, Chris, and Katy Siegel. Andrea Bowers. New York: Sara Meltzer Gallery, 2002. Pagel, David “The Myth of Selling Out” Art Issues (Summer 2002). Pagel, David. “MOCA Sampler Is a Mixed Treat”, Los Angeles Times, February 8, 2002. Robinson, Walter. “Baselmania”, art.com, June 16, 2002. Siegel, Katy et. al. “Andrea Bowers,” Everybody Now, The Bertha and Karl Leubdsdorf Art Gallery at Hunter College. Siegel, Katy. “Katy Siegel on Andrea Bowers.” Artforum (January 2002), p. 121. Wallis, Simon. Remix: Contemporary Art and Pop. Exhibition catalogue. Liverpool: Tate Liverpool, 2002. 2001 Amanshauser, Hildegund, and Diana Thater. A Living Theatre. Exhibition catalogue. Salzburg: Salzburger Kunstverein, 1999. Klassmeyer, Kelly. “Group Mentality”, Houston Press, April 12-18, 2001. Molinari, Guido. “Radar Love”, Flash Art (December 2001). New Heimat. Exhibition catalogue. Frankfurt am Main: Frankfurter Kunstverein, 2001. Siegel, Katy, ““First Take: New Art, New Artists.” Artforum, (January 2001), p. 121. 2000 Berget, Bill. “Featured Stories: Marking Time as a Material in Film and Video opens at the Palm Beach ICA” onview.com, April 18, 2000. Bowers, Andrea. "Nasty, or unclean, offensive, indecent, inclement. Monica Bonvicini interviewed by Andrea Bowers", Monica Bonvicini: Scream and Shake, p. 30-38. Cappellazzo, Amy. Making Time: Considering Time as a Material in Contemporary Video and Film. Palm Beach, Fla.: Palm Beach Institute of Contemporary Art, 2000. Guequierre, Nathan. “Karaoke Voyeurism”, Shepherd Express Metro, November 9. Harvey, Doug. “It’s Chinatown”, LA Weekly, May 5-11, p. 49. Pagel, David. “Thrilling and Shiny, Bowers’ Works Resonate.” Los Angeles Times, February 25, 2000. Pagel, David. “Andrea Bowers, Artist, Los Angeles”, Artforum, Sept/Oct. Vol. 20, No. 5. Snow, Vicki. “Unfinished History”, TGIF, Feb. 5, p. 12-17. Thater, Diana. “A Living Theater”, Magazin [4] Salzburger Kunstuerein. Hunt, David. “Andrea Bowers at Sara Meltzer’s on View.” Frieze, no. 50 (January/February 2000), pp. 94–95. 1999 Amanshauser, Hildegund. “A Living Theatre,” Salzburger Kunstverein, Magazin 4, 1999, p. 76-83. Cappellazzo, Amy. "I’m the Boss of Myself",I’m the Boss of Myself or Please Release Me Let Me Go, New York: Sara Meltzer’s on View…, illustration: p. 3. Darling, Michael. “Michael Darling’s (Museum and Gallery) Top 10 Plus 10.” LA Weekly. January 8-14: p. 50. Grabner, Michelle. “Unfinished History” Frieze. Issue 46 (June-July 1999) Knode, Marilu. “Unfinished History” Art/Text. No. 65 (May-July 1999), p. 93-94. Schurmann, Wilhelm. More Than Meets the Eye. Exhibition catalogue. Hamburg: Deichtorhallen, 1999. 1998 Bonami, Francesco. Unfinished History. Exhibition catalogue. Minneapolis: Walker Art Center, 1998. Calame, Ingrid. In the Polka Dot Kitchen, Foundation Press, 1998. P.19-42. Coleman, Sarah, Glen Helford and Sylvia Tan. “Wings of Desire/Floss”, The San Francisco Bay Guardian. February, 1998 Darling, Michael. “Crowd Control.” Frieze, no. 38 (January/February 1998), pp. 52–53. Demetre, Jim. “End of the world? I Feel Fine” Seattle Weekly, February, 1998 Fogle, Douglas. Guarene Arte 98. Exhibition catalogue. Turino: Fondazione Sandretto Re Rebaudengo, 1998. Fredericksen, Eric. “Deeply Shallow” The Stranger, February 19. Kangas, Matthew. “Flower Power and Frivolities”, The Seattle Times, February 12, 1998 Kelly, Ruby. “The Ruby Kelly Column”, Art Review (April 1998) “L.A. Trained Artists Shown at Art Institute”, San Francisco Chronicle, Tuesday, February 19. Martin, Victoria. “Andrea Bowers at the Santa Monica Museum of Art”, Artweek. McEwen, John. “Couldn’t Get Ahead”, Sunday Telegraph, April 23. O’Reilly, John. “Art for Bart’s Sake”, Modern Review, April 10, p. 33. Rubin, David S. 1998 Phoenix Triennial. Exhibition catalogue. Phoenix: Phoenix Art Museum, 1998. Webster, Mary Hull. “Wings of Desire and Mark Bradford at the San Francisco Art Institute”, Artweek (April 1998), p. 19-20. Zellen, Jody. "Andrea Bowers’ Spectacular Appearances at the Santa Monica Museum of Art". Volume 1, Number 3, Fall 1998, p. 22. 1997 “I’m Still In Love with You,” exhibition catalog, Twentieth Century Women’s Club, curated by Steven Hull, p. 3-4. Greene, David A. “Hot Coffee” Frieze, Issue 43 (May 1997), p. 76. Pagel, David. “ Voyeur’s Paradise at Santa Monica Place” Los Angeles Times, December 19, 1997, F33. Saltz, Jerry. “Regular-No Sugar” Time Out New York, Issue 75 (February 27– March 6, 1997), p. 40. Schjeldahl, Peter. “La-la Band” Village Voice, February 18. 1996 Darling, Michael. “Box Tops” Santa Barbara News-Press, Feb: 2. 1995 Baker, Kenneth. “Taking Art Into Their Own Hands” San Francisco Chronicle, June 2, 1995, p. C1& C5. Craddock, Sacha. London Times, April 5,1995 Darling, Michael. “ ‘Pretty’ at FOOD HOUSE”, Artweek, March: 38-39. Feaver, William. “Smart Habits and Sharp Practice” London Observer, April 23. Greene, David S. “Andrea Bowers” Art Issues, No. 36 (Jan – Feb 1995), p. 41 Kent, Sarah. “ Art Review”, Time Out, April: p.51. 1994 Davidson, Leanne Alexis. “Three Day Weekend”, Real Life Magazine, No. 23, ill. p. 35-36. 1993 Crosby, Gregory. “The Professor’s Guide to Vegas Kulcher” SCOPE, October. Devine, Rory. “Heaven Missing” Picture Book #4. Frank, Peter. “Picks of the Week”, LA Weekly, August 27, p. 131. 1993 Heartney, Eleanor. “The Imp of the Perverse” ARTnews (September 1993). Jarrell, Joe. “Reviews” Sculpture, September/October. Jones, Amelia. “Public and Private Pleasures” Art Issues, Sept –Oct. Pagel, David. “Art Review” Los Angeles Times, March 20th. Rugoff, Ralph. “Sex Objects” LA Weekly, April 2-8. Selwyn, Marc. “FOOD HOUSE: LA’s Newest Alternative Space” Flash Art, Nov/Dec. 1991 Pagel, David. “Window on LA” LA Art Fair Catalog. PUBLIC COLLECTIONS Artpace, San Antonio, TX The Guggenheim Museum, New York, NY The Museum of Modern Art, New York, NY The Museum of Contemporary Art, Los Angeles The Museum of Fine Arts, Houston, TX The Museum Abteiberg, Moenchengladbach, Germany The Ingvild Goetz Collection, Munich Germany